Kendrick Lamar’s Surprise Album “GNX”

Kendrick Lamar’s surprise release of his sixth studio album, GNX, has garnered significant attention and acclaim from critics. Here’s an overview of some notable reviews:

Associated Press: The AP describes GNX as a project that “roars from zero to 60 faster than a turbocharged ’87 Buick,” highlighting its intense energy and momentum. The album features collaborations with emerging Los Angeles artists and production from Sounwave and Jack Antonoff. Lamar’s lyrics are noted for their defiant stance, targeting various public figures, while maintaining introspective elements that reflect personal struggles amidst triumphs. The closing track, “gloria,” featuring SZA, is praised as a “glorious celebration of the pain and power of writing.”

Pitchfork: Pitchfork emphasizes the album’s accessibility compared to Lamar’s previous work, blending pop elements from DAMN. with West Coast club beats and synth-pop influences. The review highlights five key takeaways, including Lamar’s avoidance of direct references to his feud with Drake, the album’s dominant hyphy sound, Jack Antonoff’s significant production influence, the continuation of Lamar’s autobiographical “Heart” series with “Heart Pt. 6,” and the album’s sharply crafted lyrics.

BrooklynVegan: BrooklynVegan notes that GNX is Kendrick’s shortest album to date, at 44 minutes and 20 seconds, and deviates from his traditionally concept-heavy projects. The review praises tracks like “Squabble Up” and “TV Off” as direct sequels to “Not Like Us,” showcasing Lamar’s ability to create compelling bangers. The album is described as “fired-up” and “down-to-earth,” offering a refreshing contrast to his previous, more sprawling works.

Vulture: Vulture provides an in-depth analysis of GNX, noting its 12 tracks and notable collaborations, including SZA, Kamasi Washington, and Roddy Ricch. The album is described as “loaded with flexes and historical references,” with tracks like “reincarnated” showcasing jazz influences and “heart pt. 6” reflecting on Lamar’s history with his former label, Top Dawg Entertainment. The review also mentions that, despite rumors, Taylor Swift does not feature on the album.

Overall, GNX is receiving praise for its energetic production, introspective lyrics, and Lamar’s ability to blend various musical styles while maintaining his distinctive voice.